The War Between The Sexes
In the decades before World War II, gynotopias tended towards the Utopian. In the 50's,
the "Love-Starved Amazons In Outer Space" genre was created. The 60's and 70's spawned two new,
closely related gynotopian genres. One was a feminist utopian school, different from the older
utopian novels in its bitterness towards men. The other might be termed "backlash fiction"; written
by men, these novels featured monstrous Amazons ruthlessly murdering men by the bushel. In many
of these stories of both camps, a plague or war lowers the number of males and a handful of
highly intelligent, strong-willed women decide to seize power for themselves, and they know they
have to make sure there are few or no males if they want to hold on to it.
Reading too many of these books in a row, from either camp, induces emotional fatigue from the barrage of hate women and men can have for each other.
An early and lighthearted example of this genre is the 1944 Bees in Paradise. It stars the delightful British comedian Arthur Askey. He and a few other men are shipwrecked on an island whose sole visible population is beautiful young women. (Like Wonder Woman's home, it is called Paradise Island.) Men apparently exist, though we never see any of them; all the important work is done by women, who rule this society completely. However, their birth rate is dangerously low, and to their bafflement they are unable to induce men to marry them - which, since the movie was made in 1944, is the only way they can get pregnant. It does not occur to them that their policy of executing all husbands two months after the wedding might have something to do with it.
The Day of the Women by Pamela Kettle
The back cover of this British pulp novel really says it better than I possibly could:
A female Prime Minister... human stud farms run by women... mass rallies at Buckingham Palace to celebrate the
day of the dominating women... all this and more in a take-over bid of the Seventies that turns to high-heeled
fascism, a dictatorship of unbridled power lust.
A female elite has taken over England. Led by their 'mother', the sleek Diana Druce, they perform an economic
miracle - and put the jackboot through the idea that women are the weaker sex.
Author Pamela Kettle paints, in mercilessly naked detail, a picture of the near future that is not only possible,
The Sex War by Sam Merwin, Jr.; also available via Kindle as The White Widows
This one is actually pretty fun. It's about a conspiracy of genetically superior women who want to take over the
world and, once they have the technology to reproduce without them, do away with men entirely. Notice the blood on the
lower abdomen of the man in the background. I don't recall any castration in the novel, but the cover's implication
is pretty darn clear. This one is a good cheesy read and I recommend it for all fans of pulp.
Houston, Houston, Do You Read? by James Tiptree Jr., pseudonym of Alice Sheldon
I'm not a James Tiptree fan, and this story didn't change my mind. James Tiptree, by the way, was the pseudonym
of Alice Sheldon, who wrote many stories that explored gender issues from different angles. Houston is
well-written and interesting, but also
rather sordid. The story opens with a nauseating account of a humiliating incident from the male narrator's
adolescence, which I suppose is supposed to remind us that men can harbor hostility towards women, or something.
The story is full of gratuitous profanities which quickly become tiresome. The three men who visit the all-female future
display a couple of standard attitudes; one views the entire world as his harem, while another sees himself as a sort
of Messiah come to rescue these poor lost women from celibacy and stagnation. Incidentally, stagnation is another
theme of many gynotopian novels, including Herland and perhaps When It Changed and Consider Her Ways;
the women in these don't put a very high value on technological prowess or on building or inventing things "because
they are there". Arguably, without the strife inherent in having two fundamentally different types of people
in the world, there might well be less inspiration and drive to create new things. In Mizora, on the other hand,
the women are endlessly inventive and curious. Anyway, eventually the women realize that males are evil and must be killed.
Elseworlds: Created Equal
In this graphic novel, all the men in the DC universe die of a plague... except for Superman and Lex Luthor.
The author apparently couldn't figure out whether to be male chauvinist or female chauvinist. This is a
sterling example of how many interesting psychological complexes bubble up as soon as people start writing about
Click here to view scans from
World's Finest #233, where Superman Jr. and Batman Jr. (don't ask, I have no idea) stumble
across a mysterious town where there are no men.
Futuristic all-female world in which one male is made as an experiment. This falls into the category of satire
against radical feminism. Without men, the world becomes a stagnant dictatorship, although in this novel, the
dictatorship functions reasonably even if it is dull, unlike in real life, where dictatorships are full of unrest and
don't tend to last long.
"Well, who wants men, anyway?" she said with an attempt at nonchalance that didn't quite come off.
Crinila smiled in the darkness. "Why, nobody, Lycia darling. Not even the men themselves will want men. All they will ever want is women."
The Holdfast Chronicles by Suzy McKee Charnas
On her website, Miss Charnas discusses the history of
gynotopian fiction: "the masculine version of the 'female planet' was shown up as everything from well-meant nonsense to hateful rage."
The problem is, the feminine version of the "female planet" has also been shown up as everything from well-meant
nonsense to hateful rage, and Miss Charnas's series is no exception. She claims not to hate men, but when you read her
fictional history of how those nasty men destroyed the earth, killed off most of our species in massive wars, and then
enslaved all women, even contemplating raising women for food, it's kind of hard to believe her. (Incidentally, Miss
Charnas vehemently opposes the current wars in the Middle East that have unseated dictatorships which treat women
almost this badly, and of course similarly opposes Western civilization, in which women have been better treated than
in any other society in history.)
Facing dwindling reproduction, the men devised a procedure by which genetically altered women could be fertilized
by horse sperm. Aside from the scientific improbability, I found this rather interesting, since according to Greek legend, horses were
extremely important to Amazons - many Amazon names incorporate the Greek word for "horse" - and there were predictable
jokes and speculation that their horses took the place of men in, ah, various ways. I don't know if the parallel is
In any case, able to reproduce without men (because of technological advances made by men), these women escaped
and became roving Amazons. This leads to the most worthwhile book in the series, The Furies, which Miss Charnas
says upset many readers who were hoping for a more conventional feminist fantasy about how everything turns into
fluffy bunnies without any of those big bad men around. Instead these Riding Women become just as brutal to men as
men had been to them. This makes The Furies the most realistic novel out of the series; an hour of reading
child abuse case histories will eradicate any notion that women are not capable of being violent or cruel.
The final novel, The Conqueror's Child, centers on the daughter of a hero of the Riding Women - a daughter
who she abandoned as soon as she was born, following the model of real-life feminists. The story
is about how the matriarchy finally wipes out the patriarchy for good, and how some women were magnanimous enough to
allow some men to live. Miss Charnas claims to envision a society where the sexes are genuinely equal and both have
all human options open to them, but her own story belies this: "The sponsorship of men and boys is a way of providing
them with what amounts to a family of
sharemothers, who show them how decent people behave and require that they themselves do so," Miss Charnas burbles
happily, describing this as "an alternative to enslaving the men or keeping them permanently on the stick". We are
asked to believe, in defiance of all of human history, that the men submit to this. I do not have the space here to
dispute Miss Charnas's definition of "decent behavior", but I will point out that apparently killing or enslaving men
is not excluded from it.
But we can hardly expect the author to have a realistic view of human nature when we see in what denial she is about
animals: "Any fool can see what makes a reasonable society by looking at who rules a band of horses or a flock of
goats." Please pause for a moment to digest that sentence. She is asking us to take four-legged grass-eating animals
as a model for government. I think "fool" is the right word here. She continues, "Despite noisy male pantomime of
mastery, the chief invariably turns out to
be the queen doe or the lead mare, not the randy, hysterical buck or the stallion with the arched neck and rolling
eyes." Gracious, she does hate the menfolk, doesn't she? Well, I have never studied horses, goats or deer, but I have
invested considerable time into studying our close relatives the apes, and male dominance is universal among them.
Stormquest is a 1987 sword-and-sandals B movie. The nations of Kimbia, which has no men, and Ishtan, which keeps men as slaves, are at war. Add to the mix Ishtan men who are rebelling to demand equality with women and Kimbian women who were condemned for liking the men they bred with. The treatment of men by Ishtans is quite appalling, though to be fair the Ishtan queen is almost as cruel to her female subjects as her male slaves. Whoever made this movie seems to have had some pretty big Issues. Not on DVD, but the entire movie can be viewed in segments on a certain free video site.
In City of Women by David Ireland, men have been banished from Sydney, Australia, but still run amok outside the city.
Also published as Who Needs Men?
A masterpiece of sexism. Fascist Lesbian Amazons have wiped out almost all of the men on earth and are working
on the few remaining. The Amazons reproduce by cloning. The heroine, Rura Alexandra, is a First-Class Exterminator
of men... until she meets one, is raped by him, falls deeply in love with him, gets pregnant and follows her man to the ends of the earth.
"Rura spent her days learning to forget that she had ever been an exterminator, learning to become a woman. It was
an exciting process. It was as if she were peeling away a superficial persona and discovering something quite different
underneath.... She learned to sing the old songs that Diarmid loved, to do the things that would please him; she learned
when to be passive and when to take the initiative, and how to respond to excite him. She began to feel proud of her
swollen breasts and swollen belly. These were the outward and visible signs of the true nature of womanhood."
You know, I'm all in favor of heterosexuality (when it's practiced by heterosexuals, that is), but the above
inspires me to date myself by reviving a phrase of my adolescence: "Gag me with a spoon."
Ammonite by Nicola Griffith
"In Ammonite... the attempts to colonize the planet Jeep have uncovered a selective virus that kills all men and all but a few women. The remaining women undergo changes that enable them to communicate with one another and the planet itself, and give to birth to healthy, genetically diverse children."
Retreat: As It Was
This novel is set in the distant past when there were no men, just women who lived in peace and harmony. They all
fly around in spaceships being sisterly (and occasionally more) and understanding of each other, mystically in tune
with nature and growing spiritually and all that stuff.
Then a radiation mutation causes: "You and all the women on the Eulalia suffered a slight change in one
chromosome. One tiny leg of an X was chopped off. The effect on Jarre and all their offspring..." well, you get
the idea. They mutated into men, and that was when all the trouble began.
If you believe that the world would become a paradise if there were no Y chromosomes in it, this book is for you.
Wanderground by Sally Miller Gearheart
You know it's going to be a bad book when you flip through it and find made-up
words like "earthtouch". These women live in "the Hills", that is, out in the wilderness, where they talk to trees,
live in perfect peace with each other and are far more in touch with their feelings than anybody ought to be. Not far
away a normal (that is, with men and women) society lives in a place called "the City". Naturally the City is a
horrible place full of technology and competition where nobody talks to trees. In the very first chapter the author
tells us that men are just too full of hate and violence to be fit to live and just need to die out, which these
compassionate, in-touch-with-nature kindly and compassionately watch them do.
The Female Man by Joanna Russ
The virulent hatred of men exhibited by feminists who boast endlessly about how compassionate and nurturing they
are is the most tiresome thing about feminist-Utopian gynotopias. This badly written and ideologically asinine novel
has for some mysterious reason garnered wide acclaim. Among the author's embittered potshots at the male gender are a
scene in which a man (a Marine, of course) consults a book called WHAT TO DO IN EVERY SITUATION when a woman rejects his
advances and follows its instructions: insult her and "Girl backs down - cries - manhood vindicated." Gee, real
When It Changed by Joanna Russ
Science fiction story. Centuries ago, a plague killed all the male members of a space colony. Since then,
women have carried on, living in Lesbian relationships and reproducing by egg fusion. They're doing fine until
an Earth ship full of males lands. Naturally the nasty males have caused Earth to have nuclear war and all those
other bad things that Whileaway doesn't have, and the patronizing men compulsively assure the women that "sexual equality
has been re-established on Earth". Written by a Lesbian-feminist, it's male chauvinist in a kind of backhanded way;
though the women of Whileaway hunt big game and fight duels and are generally quite capable of looking out for
themselves, all the tall, strong, confident men have to do is swagger in and the women of Whileaway instantly
feel themselves intimidated and outclassed.
The Gate To Women's Country by Sheri S. Tepper
This is a space colony that has lost contact with Earth in which men and women live separately. The women have
cooperation and harmony and nurturing while the men are mean old
Warriors, though there's not actually anyone else to fight with. Little boys are sent to live with the warriors at the
age of five, where the men corrupt them into being horrible violent monsters, which would never happen if they stayed
with their mothers. The main characters also spend some time with another society which practices a religion which is an
obvious cypher for Christianity. It's equally obvious that the author hates Christianity; the occupants of Holyland, who
worship the All-Father, are ignorant and dirty and constantly beat their women and are terrified of the thought of
anybody enjoying sex. Oddly enough, no matter how often the enemies of Christianity promote this image of them, real-life
Christians stubbornly refuse to start acting the way they are assured they do.
This 1971 novel doesn't quite belong in this category, but I included it because it's such an excellent example of backlash fiction.
Consider Her Ways
Famous science fiction story. Was made into a Night Gallery episode.
A young woman wakes up in a future three generations after the men have been wiped out by a plague.
There are four classes of women: Mothers, who bear children, Servitors who do menial work, Workers for hard labor,
and the ruling class, the Doctorate, so called because it is dominated by the doctors, without whom reproduction
is impossible. Men have been forgotten except by a few scholars. A historian tells the protagonist, "It was quite a
dreadful state of affairs because although there were a great many women, and they had outnumbered the men,
in fact, they had only really been important as consumers and spenders of money. So when the crisis came
it turned out that scarcely any of them knew how to do any of the important things because they had nearly
all been owned by men, and had to lead their lives as pets and parasites." She continues with standard feminist
rhetoric, very prescient for a story written in 1956, despite the protagonist's desperate attempts to explain the joys of
the man-woman relationship. In essence, this story is the feminist fantasy: the intellectual
career-oriented women are able to seize power, do away with men, and relegate more traditional women to a
subordinate role without its doing men any good because there aren't any.
A late addition to this genre is The
Queen of the Damned by Anne Rice. The first vampire, Akasha, decides to end war and crime once and for all by
eliminating the source: men. After she inspires women and other vampires to kill all the world's males, except for a
few for procreation, she is confident that the world will become Eden.
Nor is the genre dead today. In 1982, Sally Miller Gearhart wrote an essay titled "The Future - If There Is One - Is Female" in which she demanded that in future, men be limited to ten percent of the population. In 1999, Mary Daly envisioned a utopian future of parthenogenetically reproducing women and no men in Quintessence. In 2004, Bryan Sykes wrote Adam's Curse: A Future Without Men, he suggested that in the not too distant future, men may be biologically superfluous, and that this will be just as well given how awful men are. In 2008 A. N. Wilson speculated that we could not only do away with men, but change our species entirely in the next half century: What would the world be like without men?
If I may steal a line from Edna Buchanan, I am a conscientious objector in the war between the sexes.